I don’t see “nice” as a negative either, so much theatre veers onto the offensive, “edgy” or harrowing (and there is a place for this), that it was a refreshing change to be sat immersed in a world that was like the serene lapping of the sea that forms the backdrop for this play.
It certainly gets you thinking as it examines the existential ideas of dwelling on the past and being fearful of the future. Yet it does so in a subtle way. It’s a play of pondering rather than one that rams its agenda down your throat.
The small cast of three give nuanced performances, Mary-Rose Goodliffe as Margaret endears us to her closed and fearful character. Whilst David Kay as Milton is superb as the interloping American tourist that helps her to see beyond the small world she is trapped in. Micha Patman as daughter Rebecca plays an excellent foil to both Margaret and Milton as she helps to bring them together.
Gail Bishop’s direction keeps the story moving along with wonderfully constructed segues so that there is no lull between the scenes which I especially liked. She allows the strong characterisation to come through the story telling. I loved her set design, which encapsulated the coast and homeliness of the play perfectly.
I highly recommend you catch this play. It’s refreshingly different from many modern plays and it was nice to have a nice night out at the theatre!
DISCLAIMER : I know the director very well and one of the cast but didn’t allow that to bias my review too much. I enjoyed this play thanks to their hard work and the excellent choice of playwright that Gail chose to direct.