Di and Viv and Rose – Vaudeville Theatre, London – Review

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6218-fitandcrop-560x350My first play of 2015 has set the standard high with this poignant, moving and excellently executed piece of theatre.

It starts with a punchy, quick series of scenes that set up the action that is to follow. We follow the eponymous characters as they move into their shared university house and the trials and triumphs that occur during these formative years. I found myself reminiscing about those that I shared my student residences with. I only keep in sporadic touch with one, the rest have drifted off and I’ve no idea where they are (reading this review perhaps?). These three characters however firm a strong bond and we then follow their lives after university.

No surprise that there are some dramatic and unexpected turns in their lives. However the events are not contrived, they are just “life”. It was this sense of realism that particularly struck me as I looked back on my life since leaving uni. Life seldom goes as planned, it’s a journey and following these three divergent yet united lives illuminated my own life. Friendship like life changes as we grow and change ourselves.

Amelia Bullmore’s script is witty, heartfelt, realistic and crafted. She gives each character an authenticity which translates from the stage to the audience. She’s a writer I’ll be keeping an eye out for any future work. I hope there is much more to come from this talented writer.

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The cast of three deliver performances that are outstanding. Tamzin Outhwaite (who I last saw steal the show in Raving) delivers again. She is truly one of may favourite stage actresses. She manages to really transcend the stage. Her portrayal of the at one moment boisterous and then vulnerable Di drew us all in. A testament to her prowess was the gasp she elicited at one moment (no spoilers!) from several audience members.

Jenna Russell is the bubbly and effervescent Rose, she’s the pivot point of the trio’s relationship and how things pan out for her is unexpected but her character mucks along. The humour she brings to the stage is delightful.

Samantha Spiro plays the uptight and slightly stuffy Viv. Her character shows that hard work and focusing pays off. She gives texture to Viv though and enables us to see why she is so driven and that focusing can also lead to being blinkered to those around you.

Anna Mackmin’s direction keeps the action moving and the attention firmly on the three ladies lives.

I hope this is a sign of things to come along theatrically in 2015 for the West End. A funny, gutsy, thought provoking and well written play, executed with skill and understanding by the cast, is what we need more of!

STARS : ★ ★ ★ ★

Thanks to SeatPlan and Offical Theatre for the tickets!

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Into The Woods – Review

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ITW_1-Sht_v18_Lg2015 gets off to a cracking start with the cinematic release of Disney’s treatment of Sondheim’s musical Into the Woods.

I was fortunate enough to go to an advance screening in the West End earlier this week and Disney were excitedly telling us how this film has been a smash at the US box office (beating the opening weeks of Mamma Mia! and Les Miserables ). Anything that puts Les Mis in its place has got to be a good thing. Having seen the film there can be little doubt as to why this is doing so well over the pond.

Firstly it’s a Stephen Sondheim musical! So we can expect clever lyrics, crafted melodies and a story that keeps you smiling but also throws in plenty of surprises along the way. I had no idea what this story was about, other than it has a witch and is set in some woods. I don’t want to give anything away, suffice to say it’s a witty and clever retelling of some classic fairy tales.

Watching it I was struck at the skill Sondheim has and lamented that so much musical theatre is rather lazy in comparison to this. I’m always a bit concerned of film adaptations of stage musicals but Disney get this spot on, utilising the advantages of film to make this a much larger production than you’d ever get to see on stage. This is something to see at the cinema where you get the huge screen and surround sound system luxuries. This is an epic musical and seeing it brought to life on this scale is magical.

Meryl Streep is the poster girl and delivers a fabulous performance as the witch. Despite my concerns, that films that have lots of names in often don’t work, (I think that’s why the film adaptation of Nine didn’t work) this time the casting of numerous names doesn’t affect the film negatively.

Emily Blunt as the Baker's Wife is the real star of this film for me.

Emily Blunt as the Baker’s Wife is the real star of this film for me.

Emily Blunt blew me away as the Baker’s wife, it’s a brilliant performance. There are many stories being told throughout the piece but for me hers stuck out the most. Although why she suffers whilst Prince Charming gets off scot-free seems a bit unfair! James Corden plays her Baker husband and delivers his best performance since The History Boys.

My only personal gripe is the clash of accents throughout the film, this is most noticeable between Jack who is a little cockney rascal and Little Red Riding Hood who has a very acute American “twang”, It jarred with me, it seems odd that this wood has such a variety of contrasting accents in it!

The princes duet in the waterfall (you’ll have to see it to understand it) is one of the funniest scenes and again, I was surprised at the vocal talents of Chris Pine, he’s not just a pretty face!

Sondheim musicals are not easy to sing – the score is demanding and it’s a pleasant surprise to see these Hollywood A list actors rising to the challenge and deliver what for many of them will be one of their career highlights I’m sure.

We’re only a few days into 2015, I recommend you catch this as your first musical of the year. It will set the bar high but when so many musicals are lacklustre in their story and/or music I see that as no bad thing.

 

STARS : ★ ★ ★ ★ 

 

Thanks to Disney and Laughing Buddha for the advance screening tickets!