Not I / Footfalls / Rockaby – Duchess Theatre – Review

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I’ve been having a “theatrical sabbatical” the last 6/8 weeks. I was meant to be seeing this Beckett trilogy at the Royal Court Theatre in January, but work conspired against me and I had to miss it. Which I was pretty miffed about. So I was delighted to see it had a West End transfer and bought a ticket straight away. I have a soft spot for the Duchess Theatre, it’s rather bland/functional but that’s perfect for Beckett. I saw Beckett’s Krapp’s Last Tape here back in 2010.

I know that Beckett isn’t everyone’s cup of tea but for me he is one of a handful of playwrights whose work truly speaks to me. When I studied his work (and other absurdist/existential writers) at college I finally found a philosophy that resonated with me and made sense of this crazy thing we call existence.

The cavernous Duchess has all eyes transfixed on this for Not I

The cavernous Duchess Theatre has all eyes transfixed on this for Not I

Not I is the first play we’re treated to – we’re warned the theatre will descend into complete darkness even the fire exit signs are put out. It was truly eerie to be in compete darkness, something in our neon lit/mobile screens going constantly world, seldom happens. Then Lisa Dwan’s mouth appears, hovering over the stage and wham she’s off on a relentless performance. In the 10 minutes she must easily cram in 20 minutes worth of words!

I'll have to work on my own version with this puppet mouth at somepoint in the future !

My own production didn’t quite get the West End transfer I was hoping for.

In this play Beckett perfectly captures that incessant noise we sometimes get in our heads when our thoughts whirl and those bizarre internal conversations we have with ourselves. It really is a performance piece for Lisa Dwan and it is staggering to see how she performs this.

Captivating and ethereal in Footfalls.

Captivating and ethereal in Footfalls.

Footfalls starts with a beautiful and haunting entrance of Lisa Dwan in white, the ethereal nature of her presence as she walks up and down the thin beam of light was beautiful and disturbing. It ended just as magically as it had begun with her melting away. A melancholy look at death, but sometimes it’s good to face our demons.

Rockaby Performed by Lisa Dwan  free pic

Rockaby was my favourite of the three. I found it truly hypnotic and felt I was being lulled into the world on stage. The repetitive and lonely nature of existence is wonderfully portrayed, and it ends with some say a bleak call to “f*@k life”. To me it’s not bleak, rather a hopeful rallying call, to not take ourselves or our existence too seriously.

A massive “thank you and congratulations” to Lisa Dwan for her performance in all three plays. I found her truly mesmeric to watch and these are no easy pieces to bring to life. Her mouth in Not I, lit and filling the Duchess Theatre was a fabulous thing to see and hear.

Sometimes theatre imbeds itself permanently onto your brain and into your life – this is certainly true for this trilogy for me.

STARS : ★ ★ ★ ★ ★

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