The graduation day finally came!
After 8 years of studying in my “spare time” the day actually came. I graduated with my BA in Theatre Studies from Rose Bruford College of Theatre and Performance, yesterday!! To say I’m chuffed is an understatement.
It has been the most thrilling, exhausting, challenging, frustrating and fun 8 years of my life. I had no idea the journey I’d be on when I started back then. It’ll be a cliché I know but embarking on this course really was THE BEST decision I’ve ever made.
Graduation cupcakes – yum!
I’d never have started this blog if I’d not been on the course (and I’m blown away this blog has had over 100,000 readers since I started it). It really has impacted every area of my life. So looking back what were my most memorable moments and parts that stand out?
Firstly it’ll be the people I’ve met on the course, the tutors, staff and fellow students. I’ve got some amazing friends from this course and have had great banter with them, The tutors have stretched me and it’s been a good experience to disagree with some of them (especially on Stanislavski, Peter Brook, The Method), they’ve also helped me to hone my own views on theatre.
Myself and Kevin, we disagree on lots of things theatrically, but we always enjoy debating our differences!
Top of the Class goes to our Scottish student Calum.
Programme Director Jayne Richards and Mary Lynch the Administration Manger, a HUGE thank you to them. I really couldn’t have done it without them.
The course encouraged me to go and do all sorts of things such as, a trip to Dublin to see Brian Friel’s Translations (and falling in love with that play and city). Getting up on stage and acting myself, becoming a theatre producer and spending a placement with Cameron Mackintosh Ltd. They’re the experiences that come immediately to mind.
There are 3 specific areas I’ll always be thankful to the course for:
- My Theatre of the Absurd module literally changed my life – it’s not hyperbole, it’s true. The plays and philosophy I read for that module, just “clicked” with me. I found a philosophical outlook on life that made sense of this crazy universe to me. Devouring the works of Sartre, Ionesco, Beckett and especially Albert Camus has been life changing. A huge thanks to Dr Harry Derbyshire who taught this module deserves a special mention he was an amazing tutor, teaching my first and penultimate modules. Thanks Harry!
- Encouraging my critical skills. I never imagined I’d become a theatre critic when I started the course. Eight years later here I am, critiquing away. It’s also led me to be invited to officially critique productions and be asked along by others to act as a dramaturg giving input and advice on numerous productions. Thanks to tutor David Chadderton for his Theatre Criticism module and helping me to think in a much more focused way about my theatre critic vocation.
- Opening my eyes to such a huge variety of playwrights. It is their work that has been what has kept me going on these 8 years. Now I’ll be honest I’ve read a lot of tosh(that’s an academic term!) also over the last 8 years on this course, However these plays are special to me:
The Browning Version by Terence Rattigan – I remember reading this for a module and sobbing tears at the end of reading it. I dried my eyes and read it again immediately. My love and admiration for all things Rattigan is due to this course.
Oleanna by David Mamet – I read this very early on in the course and the confusing emotions and feelings it aroused suddenly made me realise the power that theatre has. Mamet’s wider writings on theatre have also been inspirational to me.
Blue/Orange by Joe Penhall – This caught me totally by surprise, a tight, thought-provoking and dramatic piece. Seeing someone address mental health in such a clever way, blew me away.
Translations by Brian Friel – I owe my love of Irish playwriting to this play (and the Irish Playwriting module). As I said earlier, I took a trip to Dublin to see a revival of this piece as I was so keen to see it rather than just read it. That’s currently the furthest I’ve travelled just to see a play. A testament to the power of it.
- The work of director Augusto Boal also radically changed my outlook on life/theatre. Specifically for me, it has led to my active support of Cardboard Citizens. This has been an enriching experience for me and I’m blown away by the help and support they give those who are experiencing or have experienced homelessness.
So I’m sad to be at the end. It really has been a hell of a ride, but I’m grateful for it in so many ways.
President of Rose Bruford College Sir Richard Eyre quoted Sir Tom Stoppard in his address to us, it is a fitting end to this chapter in my life.
“Knowledge is good. It does not have to look good or even sound good or even do good. It is good just by being knowledge. And the only thing that makes it knowledge is that it is true. You can’t have too much of it and there is no little too little to be worth having.