Small is Beautiful


As you can see from my previous posts, and reviews I visit theatres of all shapes and sizes. However there is something about intimate/small theatres that for me is very special.

Theatre is about the relationship between what’s happening on stage and the audience member. In smaller theatres this can really be intensified and make for theatre that is profoundly effective.

In the UK we have a thing called the Little Theatre Guild , which I only heard of due to being involved in a theatre which is part of it, the Miller Theatre in Caterham . I’m off to another theatre that’s a member of this guild next week, The Archway Theatre in Horley to see Patrick Marber’s play Closer, which is one of the plays linked with my college module this year.  It’s worth finding out if there’s a guild member theatre near you, it’s impressive what these small theatres are doing and the vast range of plays that are being put on across the country.

Members of the Little Guild are all amateur theatres (which in no way is to denigrate their work, some amateur productions I’ve seen are better than “professional” ones). I’ve performed and seen productions in two small professional London theatres, namely The Barons’s Court Theatre and Jermyn Street theatre, these seat 50 and 70 people respectively and are wonderful little venues. I saw Timon of Athens at the Baron’s Court theatre last year and the cast of  11 literally filled the stage.

Too often we get caught in the trappings of “bigger is better” while missing the fact that theatre can be equally effective in smaller and less lavish settings. When I was a street performer, playing the larger crowds was a real buzz, but so was performing for a small group of 10 – 20 people, whose faces and names I got to know.

I’m currently reading lots of plays for college, we’re encouraged to imagine these as they would be put on and I’ve been challenging myself to read and imagine them in different settings to the standard 19th Century proscenium arch theatre.

Theatre Royal, Brighton. By

“Each show is the size of the theatre it is played in: if the space changes , the size of the show also changes.” – Augusto Boal

Earlier this year I was in an “in the round” production at the Miller Theatre, personally I prefer performing in the round, as that’s what I’m used to with my background as a street performer and magician. I also find it easier to connect with the audience when they’re all around me.

The actor standing in the centre surrounded by the audience looking into the whites of their eyes is a powerful and vulnerable place to be.


4 thoughts on “Small is Beautiful

  1. Thanks for that, Dominick. I’d never heard of the Little Theatre Guild, though wasn’t at all surprised to discover that Birmingham’s Crescent Theatre is a member. I’ve seen loads of good productions there over the years (mainly in the studio rather than the main house) and a good friend who is a “full time” amateur actor turned director, and one of the finest actors I’ve seen anywhere, is part of the company. We’ve all sat through turgid ham-dram, I’m sure, but if the Crescent is representational I’d certainly recommend them.

  2. Just been playing the Duke in Merchant of Venice in the Roman Theatre at Curium in Cyprus. Capacity 4000 or so! But I remember with affection going to a Cafe Theatre in Paris to see Le Petit Prince playing to a capacity house of 30. If you’ve not been to Cafe Theatre, do give it a go.

  3. Jolyon, I’m planning on going to Paris later this year, so I’ll look into going to the Cafe Theatre.

    The Roman Theatre at Curium sounds fantastic! How’s the Merchant of Venice run gone?

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s